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In a suite of a Philadelphia hotel, Marling and Cahill answered my questions like curious, precocious children, then threw them back at me. I first interviewed her in 2011, shortly after Another Earth one of two films that made her a breakout star at Sundance that yearhit theaters.Īlso present was Cahill, who directed Marling in the leading role, and with whom she co-wrote the script.Īnother Earth is pretty much just what it sounds like (an exact duplicate of our planet is found), and yes, its a sci-fi flick with room for freedom. In real life, where the trickle-down of fear and hate has bled into so many streams, were less inclined to listen than weve ever beento the point that we can even feel alienated in what we thought were our own tribes, as personal identities (be they related to gender identity, race, faith, sexual orientation, or class) cause even further subdivisions that blind our greater, common humanity. Marling said as much in a 2013 convocation speech she delivered at her alma mater, Georgetown University, where she met Batmanglij and fellow filmmaker Mike Cahill as a student, and where she advised graduating seniors to stick to their tribe, like she did.īut today, in our world, aspects of that notion hold different meaning than they did six years ago, and different meaning than whats shown in The OA, where people pause, think, listen, and come to find that were all more alike than we are different. Today, in our world, trust is violated daily on a global scale morality feels scarily out of reach and regardless of which side of the aisle you stand on, challenging the extremism of your respective mob is grounds for cancellation. The OA imagined a place where trust and true morality had genuine clout and benefits, and where having the bravery to do whats unpopular comes with reward. In our world, only one plucky Congresswoman from the Bronx has endeavored to map out a bold plan to combat climate change, and shes been met with vicious attacks for even making the attempt. In our world, these people might avoid each other and lean in to the division of our society, as opposed to hearing each other, practicing empathy, and even joining forces amid danger. So she partnered with friends, put pen to paper, and carved out alternate roads. Stereotypically speaking, Marling had all the assets to make it it as a Hollywood ingnue: a beautiful, blonde young woman with brilliant acting ability.īut she didnt want that identity, nor did she want any of the thankless roles so many such womenor most women, reallyare saddled with.

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Marling is someone who, as she told Sam Jones on his show Off Camera, began her professional life working for Goldman Sachs, leaving when her soul was so crushed by the job that she had to take a leap and pursue art, with no safety net in sight. Brandon Perea Gay Professional Life Working Perhaps finally hitting reality was an apt place for it all to end.Īt first, shes addressing the still-rampant gender inequality in her industry, and how shes chosen to create worlds of her own, where women like herand actresses like hercan have true agency. Brandon Perea Gay Professional Life WorkingĪnd we certainly werent in our world in Part II, which aired earlier this year and saw The OA, her former captor, and her former fellow captives launched into some alternate version of modern-day San Francisco, replete with a psychic octopus and a haunted puzzle house that pushed the shows narrative within inches of derailment.Įssentially, despite OA actor Ian Alexanders claim that this was just yet another dimension, I choose to believe, in retrospect, that these characters finally landed in this worldour world.Īnd what gives me some odd shred of comfort amid the cancellation is that while our world surely needs all of The OA s earnest gifts, perhaps its not equipped to handle them.